| Ten Commmandments of Pizza | |
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| The concept and copy for this spot was created by John Crawley. This is a post score to picture, featuring Andy Timmons. The motion shots of the food are by Noon Day Pictures. Mixed at JNMH. | |
| Client | Domino's Pizza |
| Production Co. | NoonDay Pictures |
| Music | James Neel with Andy Timmons |
| Dirty Baby | |
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| This is another post score to picture - all sampled instruments. Nina Rota was the inspiration. Mixed at JNMH. Thank you, Dan Calhoun. | |
| Client | Rainbow International Carpet |
| Agency | Hadeler Sullivan Law |
| Music | James Neel |
| PSA | |
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| A post score to picture, with additional EFX from Post Op, Dallas, this spot transcends a sitcom scenario to reveal a young girl's anxiety about her self image, and ultimately, her self-respect - all sampled instruments. Directed by Brandye James, shot by Bill Schwartz, mixed at JNMH. | |
| Client | The Anorexia Foundation |
| Agency | Richards Group |
| Music | James Neel |
| Freddy's Pit Stop | |
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| Co-written with Freddy Fender, this spot uses live instruments - Andy Timmons on guitar and Adrian Cabello on accordian. After noticing that the accordian changed with each performance, Freddy whipped off his headphones to ask, "James, where is this accordian sound coming from?" He then went off to find Adrian in the adjoning booth... big hug. Mixed at JNMH. Directed by Nory Nevin. Thanks, Raymond Martin and Jim Sykora. | |
| Client | Pancho's Mexican Buffet |
| Agency | Joiner Rowland Serio |
| Music | James Neel / Freddie Fender |
| Super Bowl Spot | |
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| Sound efx and mix by JNMH. Simple, but effective. Live instruments on musical tag. Produced by Rick Zessor, Publicis Bloom. | |
| Client | Selsun Blue |
| Agency | Publicis Bloom |
| Music | James Neel |
| Murine Tears | |
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| Three completely separate demos were created for this spot. The first two were requested, and the third one, designed by James Neel, got the nod. Careful what you ask for, you may wind up with something totally different. Pure orchestral sound design. One of our specialties. Mixed at JNMH. Produced by Rick Zessor, Publicis Bloom. | |
| Client | Murine Tears |
| Agency | Publicis Bloom |
| Music | James Neel |
| 1 Rock | |
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| Overnight, do it now, are we done yet? James and Andy Timmons, with vocalization by Robin Brown. Mixed at JNMH. Produced by Stan Hart. | |
| Client | Frito Lay |
| Agency | TL Partners |
| Music | James Neel |
| Dallas Community Colleges | |
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| Created directly for the client, this instrumental post score was timed to replace an acid jazz temp-track. With live guitar and sax. Mixed at JNMH. Produced by Susan Malone. | |
| Client | Dallas Community College |
| Agency | direct |
| Music | James Neel |
| Competition for Electricity | |
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| Music and EFX to picture, working directly with Heart Of Texas, Austin. Mixed at JNMH. Produced by Margie Becker. | |
| Client | Coalition for Affordable Power |
| Agency | Public Strategies |
| Music | James Neel |
| Ten Reasons to Order | |
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| Post score to picture, created by John Crawley and M.L. Nelson - techno track - (yes, James saw "Run Lola Run") - with Andy Timmons. Mixed at JNMH. | |
| Client | Domino's Pizza |
| Production Co. | NoonDay Pictures |
| Music | James Neel with Andy Timmons |
| Fair Park: Icon of Optimism | |
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| Original music for the 18 minute High Definition documentary presented at the State Fair of Texas. A combination of synthesis, sampled instruments, and live players. Mixed in Dolby AC-3. | |
| Client | Stewart Mayer |
| Production Co. | Kickass Camera Company |
| Music | James Neel |
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